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Becoming Ray Bradbury$
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Jonathan R. Eller

Print publication date: 2011

Print ISBN-13: 9780252036293

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252036293.001.0001

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Joe Mugnaini and The Golden Apples of the Sun

Joe Mugnaini and The Golden Apples of the Sun

Chapter:
(p.249) 41 Joe Mugnaini and The Golden Apples of the Sun
Source:
Becoming Ray Bradbury
Author(s):

Jonathan R. Eller

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252036293.003.0042

This chapter examines the collaboration between artist Joseph Mugnaini and Ray Bradbury for the latter's collection of short stories called The Golden Apples of the Sun. Mugnaini was a prolific book illustrator who emphasized fine arts over commercial art. He developed talent in a wide range of media, including oil and watercolor painting. This chapter considers how Mugnaini's art forged a connection between the two men that began in April 1952, when Bradbury saw a Mugnaini painting titled “The Caravan” in a Beverly Hills gallery. Bradbury regarded “The Caravan” as a grand metaphor for the long-deferred novel concept that had emerged from his story “The Black Ferris” under the working title of The Dark Carnival. In August 1952 Bradbury sent Doubleday typescripts or tear sheets for twenty-four stories which, after several revisions, became The Golden Apples of the Sun. This chapter discusses how Bradbury was able to link the Golden Applestories together visually through Mugnaini's cover art and interior illustrations.

Keywords:   short stories, collaboration, Joseph Mugnaini, Ray Bradbury, The Golden Apples of the Sun, painting, The Dark Carnival, Doubleday, cover art, interior illustrations

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