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Scripting HitchcockPsycho, The Birds, and Marnie$
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Walter Raubicheck and Walter Srebnick

Print publication date: 2011

Print ISBN-13: 9780252036484

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252036484.001.0001

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From Treatment to Script

From Treatment to Script

Chapter:
(p.55) Chapter 3 From Treatment to Script
Source:
Scripting Hitchcock
Author(s):

Walter Raubicheck

Walter Srebnick

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252036484.003.0003

This chapter looks at Hitchcock's involvement in creating the plot and text of his scripts. It studies the various drafts of the films under consideration, revealing three distinct objectives as Hitchcock monitors them: the removal of what he called “no scene” scenes; the addition of some strongly visual shots or the elaboration of a scene to provide increased insight into a character, usually without new dialogue; and the removal of dialogue that did not add anything substantial to characterization or merely indicated some idea that the camera had already conveyed. Between the first draft and the shooting script, the screenplay would often be rewritten substantially at least three times, as the collaboration between the director and his writers continued. At the same time, Hitchcock would begin his preproduction work, which would often influence later drafts of the script.

Keywords:   screenplays, shooting scripts, visual shots, dialogue, characterization, preproduction

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