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Caribbean and Atlantic Diaspora DanceIgniting Citizenship$
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Yvonne Daniel

Print publication date: 2011

Print ISBN-13: 9780252036538

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252036538.001.0001

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Parading the Carnivalesque: Masking Circum-Caribbean Demands

Parading the Carnivalesque: Masking Circum-Caribbean Demands

With Catherine Evleshin

Chapter:
(p.108) Chapter Six Parading the Carnivalesque: Masking Circum-Caribbean Demands
Source:
Caribbean and Atlantic Diaspora Dance
Author(s):

Yvonne Daniel

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252036538.003.0006

This chapter examines the Carnival and other parade dancing that have brought the people of the African Diaspora together in festive merrymaking. More specifically, it highlights the Carnivalesque experience associated with Circum-Caribbean parading, from Carnaval in Cuba, Puerto Rico, Guadeloupe, and Martinique to the Kanaval in Haiti, the Jonkonnu in Jamaica, and the Saints Day Processions in the Caribbean. The chapter begins with an overview of the characteristics of Carnival dance and goes on to describe and compare major masking and parade dance traditions in Trinidad and Tobago, Jamaica, Cuba, Haiti, and Brazil. It argues that Carnival dancing not only functions as a form of entertainment, but in many cases as a medium for sociopolitical criticism, and especially for challenging social and cultural authority. The chapter concludes with an assessment of carnivalesque's contemporary messages.

Keywords:   parade dancing, Carnivalesque experience, Carnaval, Kanaval, Jonkonnu, Saints Day Processions, Carnival dance, masking, sociopolitical criticism, African Diaspora

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