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Henry ManciniReinventing Film Music$
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John Caps

Print publication date: 2012

Print ISBN-13: 9780252036736

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252036736.001.0001

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Stolen Moments

Stolen Moments

Chapter:
(p.203) Chapter 14 Stolen Moments
Source:
Henry Mancini
Author(s):

John Caps

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252036736.003.0015

This chapter details Mancini's career in the late 1980s. The 1980s was another transitional period in the whole field of film scoring. The intrepid John Williams still ruled with one prestigious assignment after another, prodded by but not dependent on his associations with directors Spielberg and Lucas. Other veterans enjoyed renewed success during these years: John Barry's Oscar win for Dances with Wolves and Dave Grusin's scores for The Fabulous Baker Boys and The Firm. The new breed was beginning to take over, though; James Horner wrote blandly but appropriately for Field of Dreams, Hans Zimmer similarly for Rain Man. Meanwhile, Mancini was scoring three limited-release films: Physical Evidence, Fear, and Welcome Home.

Keywords:   Henry Mancini, film composers, film scoring, John Williams, Physical Evidence, Fear, Welcome Hone

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