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The Negro in IllinoisThe WPA Papers$
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Brian Dolinar

Print publication date: 2013

Print ISBN-13: 9780252037696

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037696.001.0001

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Music

Music

Chapter:
(p.223) 27. Music
Source:
The Negro in Illinois
Author(s):

Arna Bontemps

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037696.003.0027

This chapter examines Negro music as well as musicians such as singers, instrumentalists, directors, and composers in Illinois in the late nineteenth and early twentieth centuries. It begins with a discussion of various Negro musicians in Illinois, from piano prodigy “Blind Tom” Wiggins and the Hampton Singers to the Fisk Jubilee Singers and choral groups known for singing spirituals. Among them were the Chicago Choral Study Club, one of the first to perform the works of black composer Samuel Coleridge-Taylor. The chapter also considers the emergence of organized music schools among Chicago Negroes, including the Coleridge-Taylor Music School and the National Conservatory of Music, as well as church choirs, musical clubs and associations.

Keywords:   spirituals, Negro music, Negro musicians, Illinois, Blind Tom Wiggins, Fisk Jubilee Singers, choral groups, Chicago Choral Study Club, music schools, church choirs

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