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The Negro in IllinoisThe WPA Papers$
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Brian Dolinar

Print publication date: 2013

Print ISBN-13: 9780252037696

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037696.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 14 December 2017

The Theater

The Theater

Chapter:
(p.231) 28. The Theater
Source:
The Negro in Illinois
Author(s):

Arna Bontemps

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037696.003.0028

This chapter focuses on Negro theater in Illinois. In May 1877, a Negro troupe played Out of Bondage in Chicago, and the Daily Inter Ocean described the performance as “one of the very best representations of slave life as it existed before the war that has ever been presented to the public.” But it was the arrival of Sam T. Jacks and his Creole Show in Chicago in 1893 that ushered in a new phase of the Negro's evolution in the theater. The chapter first considers minstrelsy and minstrel shows featuring actors in blackface before turning to various comedians, vocalists, and dancers who performed in musicals and other shows during the period, including Bert Williams and George Walker. It also looks at Chicago's Pekin Theater, opened by Robert Motts, that showcased black performers such as Charles Gilpin, Bill Robinson, Abbie Mitchell, Lottie Grady, Nettie Lewis, and Elizabeth Hart Scott.

Keywords:   minstrelsy, Negro theater, Illinois, Sam T. Jacks, minstrel shows, comedians, vocalists, dancers, Pekin Theater, Robert Motts

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