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Digital Critical Editions$
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Daniel Apollon and Claire Belisle

Print publication date: 2014

Print ISBN-13: 9780252038402

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038402.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 18 June 2018

From Books to Collections

From Books to Collections

Critical Editions of Heterogeneous Documents

Chapter:
(p.246) 8. From Books to Collections
Source:
Digital Critical Editions
Author(s):

Sarah Mombert

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038402.003.0009

This chapter explores the critical edition of hybrid materials: heterogeneous documents, facsimiles, pictures, sounds, and videos. Through concise examples, it illustrates how and why different collections, although “critical,” do not attain the usual ambitions of critical editions (Greek authors, the Bible, canonical authors) but address another conception of “critical” and “edition.” The chapter examines the implications of critical projects when reconstructions of the given texts' original states are of lesser or peripheral interest. The term “critical” is used mainly to connote the construction of a context amplified through comments, intersecting links, and thematic indexation.

Keywords:   critical edition, hybrid materials, heterogenous documents, Greek authors, the Bible, canonical authors, critical projects

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