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The Europeanization of CinemaInterzones and Imaginative Communities$
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Randall Halle

Print publication date: 2014

Print ISBN-13: 9780252038457

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038457.001.0001

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Conclusion

Conclusion

Chapter:
(p.183) Conclusion
Source:
The Europeanization of Cinema
Author(s):

Randall Halle

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038457.003.0008

This concluding chapter explains how studies of “transnational” German, Japanese, or Brazilian literatures or cinemas create for themselves a conundrum that cannot be properly studied: if it is transnational, it cannot be assessed within national parameters. To recognize the relationship of the cinematic apparatus to the current social configuration unfolding in Europe and beyond, this book has necessitated a broad comparative and historical approach. At the same time, to invoke the term transnational here is itself misleading. The book set out to correct and revise the research on transnationalism by rejecting the neo-Hegelian assumption that informs much of the work on transnationalism in Europe.

Keywords:   transnationalism, European cinema, European literature, cinematic apparatus, social configuration, neo-Hegelian transnationalism

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