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The Voice in the DrumMusic, Language, and Emotion in Islamicate South Asia$
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Richard K. Wolf

Print publication date: 2014

Print ISBN-13: 9780252038587

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038587.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 20 July 2018

Drumming, Language, and the Voice in South Asia

Drumming, Language, and the Voice in South Asia

Chapter:
(p.1) Chapter 1 Drumming, Language, and the Voice in South Asia
Source:
The Voice in the Drum
Author(s):

Richard K. Wolf

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038587.003.0001

This book explores drumming and other instrumental traditions that are interconnected over vast regions of South and West Asia. The traditions considered here qualify broadly as functional music rather than concert music and include the public instrumental music of weddings, funerals, and religious holidays. The book examines patterns that pervade functional music of South Asia and to some extent North and South Indian classical music and how performed texts are related to their verbal or vocal models. It also considers what it means in particular contexts for musical instruments to be voicelike and carry textual messages. This chapter discusses the broad historical context in which voices and instruments have been co-constructed in the history of the Indian subcontinent and regions west. Many examples from South India are included to help create a picture that transcends the bounds of Muharram Ali's travels.

Keywords:   drumming, functional music, instrumental music, South Asia, South India, classical music, musical instruments, voice, Muharram Ali

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