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Kiss the Blood Off My HandsOn Classic Film Noir$
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Robert Miklitsch

Print publication date: 2014

Print ISBN-13: 9780252038594

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038594.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see www.illinois.universitypressscholarship.com/page/privacy-policy).date: 23 September 2018

Producing Noir

Producing Noir

Wald, Scott, Hellinger

Chapter:
(p.130) 7 Producing Noir
Source:
Kiss the Blood Off My Hands
Author(s):

Andrew Spicer

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038594.003.0008

This chapter focuses on three prominent noir figures: Jerry Wald, Adrian Scott, and Mark Hellinger—the “pragmatist,” the “ideologue,” and the “realist,” respectively—each of whom significantly impacted the development of classic noir as a creative and commercial production cycle. What unites the work of these very different men was a shared sense that film noir was a vehicle through which to realize their ambitions and a way to engage contemporary audiences whose tastes were changing. Moreover, each saw the producer's role as pivotal, straddling the worlds of commerce and creativity, positioned to make the key decisions that shaped a film—choosing source materials, collaborating closely with writers and directors, and overseeing casting and locations.

Keywords:   Jerry Wald, Adrian Scott, Mark Hellinger, classic noir, production cycle, film noir, contemporary audiences, producers

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