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Hawaiian Music in MotionMariners, Missionaries, and Minstrels$
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James Revell Carr

Print publication date: 2014

Print ISBN-13: 9780252038600

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038600.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 16 January 2018

Introduction

Introduction

Setting Sail

Chapter:
(p.1) Introduction
Source:
Hawaiian Music in Motion
Author(s):

James Revell Carr

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038600.003.0001

This introductory chapter sets out the book's purpose, which is to show that Hawaiians' musical interactions with Euro-American ships occurred frequently and in great numbers. Native Hawaiians began learning and adapting the music of the sailors and whalers, from sea chanteys to minstrel songs, from the time of Cook's arrival. These musical interactions were central to the development of syncretic Hawaiian music in the late nineteenth century, but they also contributed to the development of seamen's songs, ballads, and chanteys. Most important, this book shows that Hawaiians in the nineteenth century were extremely mobile and cosmopolitan, far from the image of primitive, isolated islanders popularized by the tourism industry. An overview of the subsequent chapters is also presented.

Keywords:   Hawaiian music, Euro-Americans, seamen's songs, ballads, chanteys, sailors

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