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Charles Ives's ConcordEssays after a Sonata$
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Kyle Gann

Print publication date: 2017

Print ISBN-13: 9780252040856

Published to Illinois Scholarship Online: January 2018

DOI: 10.5406/illinois/9780252040856.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in ISO for personal use (for details see www.illinois.universitypressscholarship.com/page/privacy-policy).date: 22 October 2018

The Story of the Concord Sonata, 1911–1947

The Story of the Concord Sonata, 1911–1947

Chapter:
(p.1) 1 The Story of the Concord Sonata, 1911–1947
Source:
Charles Ives's Concord
Author(s):

Kyle Gann

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252040856.003.0001

Ives first conceived the Concord Sonata while on vacation at Elk’s Lake in 1911, based in part on pieces he had already been working on. He claimed to have been able to play the piece by 1915, though it wasn’t written out in publishable form until 1919. After publication he came to regret having simplified the piece somewhat, and he continued tinkering with it until a second edition finally appeared in 1947. This extraordinarily long gestation period creates unusual textual problems for performers of the work.

Keywords:   Charles Ives, Concord Sonata, John Kirkpatrick, insurance business, Joseph Hopkins Twichell, Mark Twain, Horatio Parker, Charles Wakefield Cadman, Percy Goetschius, Aaron Copland, Lou Harrison, Henry Cowell, George Gershwin, Henry Bellaman, Roy Harris, ultramodernism, neoromanticism, Mattijs Vermeulen, Kaikhosru Soranji, Lawrence Gilman

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