Ives’s “Alcotts” movement is based on two figures, the popular novelist Louisa May Alcott and her grandiloquent but feckless philosopher father, Bronson Alcott. The music, ranging from idyllic to tempestuous, leaves ambiguities as to which figure is being referred to. The middle section refers to 19th-century American parlor-style music, and the ending is the most complete and triumphant statement of the “Human Faith” theme.
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.