Matthew Dirst (ed.)
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252040191
- eISBN:
- 9780252098413
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040191.001.0001
- Subject:
- Music, Theory, Analysis, Composition
A publication of the American Bach Society, this book pioneers new areas of research into the life, times, and music of the master composer. This volume is a collection of groundbreaking essays ...
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A publication of the American Bach Society, this book pioneers new areas of research into the life, times, and music of the master composer. This volume is a collection of groundbreaking essays exploring various aspects of Johann Sebastian Bach's organ-related activities. Bach's report on Johann Scheibe's organ at St. Paul's Church in Leipzig is reconsidered. The likely provenance and purpose of a collection of chorale harmonizations copied in Dresden is clarified. The ways various independent trio movements served Bach as an artist and teacher is investigated. The origins of concerted Bach cantata movements are sought, spotlighting the organ and proposing family trees of both parent works and offspring. Finally, the book provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of Heaven. The book provides an eighteenth-century context for Johann Sebastian Bach's cantatas with obbligato organ by showing how their various components engage in a larger discourse about the German Baroque organ: namely, its intimation of Heaven.Less
A publication of the American Bach Society, this book pioneers new areas of research into the life, times, and music of the master composer. This volume is a collection of groundbreaking essays exploring various aspects of Johann Sebastian Bach's organ-related activities. Bach's report on Johann Scheibe's organ at St. Paul's Church in Leipzig is reconsidered. The likely provenance and purpose of a collection of chorale harmonizations copied in Dresden is clarified. The ways various independent trio movements served Bach as an artist and teacher is investigated. The origins of concerted Bach cantata movements are sought, spotlighting the organ and proposing family trees of both parent works and offspring. Finally, the book provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of Heaven. The book provides an eighteenth-century context for Johann Sebastian Bach's cantatas with obbligato organ by showing how their various components engage in a larger discourse about the German Baroque organ: namely, its intimation of Heaven.
Andrew Talle (ed.)
- Published in print:
- 2013
- Published Online:
- April 2017
- ISBN:
- 9780252038136
- eISBN:
- 9780252095399
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252038136.001.0001
- Subject:
- Music, Theory, Analysis, Composition
This addition to the Bach Perspectives series offers a counter-narrative to the isolated genius status that J. S. Bach and his music currently enjoy. The book contextualizes Bach by examining the ...
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This addition to the Bach Perspectives series offers a counter-narrative to the isolated genius status that J. S. Bach and his music currently enjoy. The book contextualizes Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Chapters place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling.Less
This addition to the Bach Perspectives series offers a counter-narrative to the isolated genius status that J. S. Bach and his music currently enjoy. The book contextualizes Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Chapters place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling.
James Tenney
Larry Polansky and Lauren Pratt (eds)
- Published in print:
- 2015
- Published Online:
- April 2017
- ISBN:
- 9780252038723
- eISBN:
- 9780252096679
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252038723.001.0001
- Subject:
- Music, Theory, Analysis, Composition
One of the twentieth century's most important musical thinkers, the author did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted ...
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One of the twentieth century's most important musical thinkers, the author did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted compositions. This book is a collection of the author's hard-to-find writings arranged, edited, and revised by the self-described “composer/theorist.” Tenney argued that “a new kind of music theory is needed which deals with the question of what we actually hear when we listen to a piece of music, as well as how or why we hear as we do.” His collection, which spans the years from 1955 to 2006, constitutes one of the most important bodies of music-theoretical thought of the twentieth century. Each article in this volume asks how new and radical musical ideas might emerge from how we hear. Selections focus on his fundamental concerns—“what the ear hears”—and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.Less
One of the twentieth century's most important musical thinkers, the author did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted compositions. This book is a collection of the author's hard-to-find writings arranged, edited, and revised by the self-described “composer/theorist.” Tenney argued that “a new kind of music theory is needed which deals with the question of what we actually hear when we listen to a piece of music, as well as how or why we hear as we do.” His collection, which spans the years from 1955 to 2006, constitutes one of the most important bodies of music-theoretical thought of the twentieth century. Each article in this volume asks how new and radical musical ideas might emerge from how we hear. Selections focus on his fundamental concerns—“what the ear hears”—and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.
