Big Band Theory
Big Band Theory
The Carla Bley Band and Other Projects
This chapter focuses on the Carla Bley Band, a ten-person big band Bley had spent several years establishing. The Carla Bley Band effectively became the instrument for which she composed, the vehicle through which she could let her sonic imagination run free. The establishment of her own large ensemble following the creation of her recording studio, record label, and distribution service was part of a logical chain of events, one indicating a further step in Bley's ongoing quest for total artistic control in the creation, administration, and dissemination of her music. This freedom allowed Bley to focus on an uninhibited exploration of musical ideas in her compositions. Over the next few years the Carla Bley Band toured both Europe and the United States, recorded six albums on Watt between 1977 and 1983, and contributed a soundtrack of preexisting pieces for a Claude Miller film called Mortelle Randonee.
Keywords: Carla Bley Band, artistic control, compositions
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.