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The Black Chicago Renaissance$
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Darlene Clark Hine and John McCluskey Jr.

Print publication date: 2012

Print ISBN-13: 9780252037023

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037023.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 26 January 2020

The Negro Renaissance

The Negro Renaissance

Harlem and Chicago Flowerings

Chapter:
(p.21) Chapter 2 The Negro Renaissance
Source:
The Black Chicago Renaissance
Author(s):

Samuel A. Floyd

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037023.003.0002

This chapter argues that the “Negro Renaissance” in Harlem and Chicago was spawned by Pan-Africanism, which suggests the belief that black people all over the world share an origin and a heritage, that the welfare of black people everywhere is inexorably linked, and that the cultural products of blacks everywhere should express their particular fundamental beliefs. The chapter describes the quandary of renaissance artists, intellectuals, and entertainers who drew inspiration from the vernacular yet professed allegiance to the styles and tone of high or modern culture. It also notes that the black arts manifesto of poet Hughes' generational cohort exemplifies the refusal of these artists and intellectuals to accept the hierarchical oppositional distinction between high (middle class, northern, urban) and low (folk, spiritual, rural).

Keywords:   Negro Renaissance, Harlem, Chicago, Pan-Africanism, black people, modern culture, renaissance artists, poet Hughes

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