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The Accordion in the AmericasKlezmer, Polka, Tango, Zydeco, and More!$
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Helena Simonett

Print publication date: 2012

Print ISBN-13: 9780252037207

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037207.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 25 May 2020

“A Hellish Instrument”

“A Hellish Instrument”

The Story of the Tango Bandoneón

Chapter:
(p.233) 11 “A Hellish Instrument”
Source:
The Accordion in the Americas
Author(s):

María Susana Azzi

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037207.003.0012

Argentina's most popular music genre, the tango, had already enjoyed a long history before the bandoneón became its quintessential instrument. Known as a danceable music genre, tango involves everything from poetry, song, gesture, and narrative to philosophy and ethical values. This chapter traces the history of the instrument and of the dance from their inception through the Golden Age. It concludes with an homage to the internationally acclaimed bandoneonist Astor Piazzolla, who singlehandedly redefined tango in the 1980s. Piazzolla considered the accordion “a strong instrument” because of its noisy sound—it is this “mud quality” that is so characteristic of his tango nuevo (new tango).

Keywords:   tango, Buenos Aires, accordion, musical instruments, bandoneón, Astor Piazzolla

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