Show Summary Details
- Title Pages
- Introduction
- 1 From Old World to New Shores
- 2 Accordion Jokes
- 3 From Chanky-Chank to Yankee Chanks
- 4 ’Garde ici et ’garde lá-bas
- 5 “Tejano and Proud”
- 6 Preserving Territory
- 7 Accordions and Working-Class Culture along Lake Superior’s South Shore
- 8 Play Me a Tarantella, a Polka, or Jazz
- 9 The Klezmer Accordion
- 10 Beyond Vallenato
- 11 “A Hellish Instrument”
- 12 No ma’ se oye el fuinfuán
- 13 Between the Folds of Luiz Gonzaga’s Sanfona
- 14 The Accordion in New Scores
- Glossary
- Contributors
- Index
- Music in American Life
- Production Credits
(p.319) Contributors
(p.319) Contributors
- Source:
- The Accordion in the Americas
- Publisher:
- University of Illinois Press
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- Title Pages
- Introduction
- 1 From Old World to New Shores
- 2 Accordion Jokes
- 3 From Chanky-Chank to Yankee Chanks
- 4 ’Garde ici et ’garde lá-bas
- 5 “Tejano and Proud”
- 6 Preserving Territory
- 7 Accordions and Working-Class Culture along Lake Superior’s South Shore
- 8 Play Me a Tarantella, a Polka, or Jazz
- 9 The Klezmer Accordion
- 10 Beyond Vallenato
- 11 “A Hellish Instrument”
- 12 No ma’ se oye el fuinfuán
- 13 Between the Folds of Luiz Gonzaga’s Sanfona
- 14 The Accordion in New Scores
- Glossary
- Contributors
- Index
- Music in American Life
- Production Credits
