Show Summary Details
- Title Pages
- Introduction
-
1 From Old World to New Shores -
2 Accordion Jokes -
3 From Chanky-Chank to Yankee Chanks -
4 ’Garde ici et ’garde lá-bas -
5 “Tejano and Proud” -
6 Preserving Territory -
7 Accordions and Working-Class Culture along Lake Superior’s South Shore -
8 Play Me a Tarantella, a Polka, or Jazz -
9 The Klezmer Accordion -
10 Beyond Vallenato -
11 “A Hellish Instrument” -
12 No ma’ se oye el fuinfuán -
13 Between the Folds of Luiz Gonzaga’s Sanfona -
14 The Accordion in New Scores - Glossary
- Contributors
- Index
- Music in American Life
- Production Credits
(p.319) Contributors
(p.319) Contributors
- Source:
- The Accordion in the Americas
- Publisher:
- University of Illinois Press
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- Title Pages
- Introduction
-
1 From Old World to New Shores -
2 Accordion Jokes -
3 From Chanky-Chank to Yankee Chanks -
4 ’Garde ici et ’garde lá-bas -
5 “Tejano and Proud” -
6 Preserving Territory -
7 Accordions and Working-Class Culture along Lake Superior’s South Shore -
8 Play Me a Tarantella, a Polka, or Jazz -
9 The Klezmer Accordion -
10 Beyond Vallenato -
11 “A Hellish Instrument” -
12 No ma’ se oye el fuinfuán -
13 Between the Folds of Luiz Gonzaga’s Sanfona -
14 The Accordion in New Scores - Glossary
- Contributors
- Index
- Music in American Life
- Production Credits
