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Women Singers in Global ContextsMusic, Biography, Identity$
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Ruth Hellier

Print publication date: 2013

Print ISBN-13: 9780252037245

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037245.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 26 September 2021

Introduction

Introduction

Vocal Herstories: Resonances of Singing, Individuals, and Authors

Chapter:
(p.1) Introduction
Source:
Women Singers in Global Contexts
Author(s):

Ruth Hellier

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037245.003.0001

This introductory chapter discusses the conceptual and methodological issues regarding the study of women's music-making, including vocality, subjectivity, individuals, theorization, contextualization, feminist theory and politics, understandings of woman and gender, identity politics, and authoring. The analysis is varied in terms of musical genres, geographical areas, and the role of singing in the life of the singer. The chapter develops its ideas around the proposition that the current understandings of what and how music means could be expanded by more flexible and socially based notions of “selves” as locally articulated in specific contexts. In mapping these occurrences, the chapter encompasses major events, life markers, moments of decisions, and elements of vocality, all placed in a broadly chronological life-story framework.

Keywords:   women's music-making, vocality, subjectivity, feminist theory, identity politics, gender, music

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