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Charles Ives in the MirrorAmerican Histories of an Iconic Composer$
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David C. Paul

Print publication date: 2013

Print ISBN-13: 9780252037498

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037498.001.0001

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Musicology Makes Its Mark

Musicology Makes Its Mark

Ives and the History of Style, 1965–1985

Chapter:
(p.148) 5 Musicology Makes Its Mark
Source:
Charles Ives in the Mirror
Author(s):

David C. Paul

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037498.003.0006

This chapter examines the impact of musicology on Charles E. Ives's reception by focusing on the contributions made by musicologists to discourse about the composer during the period 1965–1985. It considers how musicologists portrayed Ives through their disciplinary practices and perceptions and shows that their image of Ives was deeply rooted in European music history. The chapter also explores how Ives became the subject of style history by looking at the work of William W. Austin, H. Wiley Hitchcock, and Robert Morgan. Finally, it discusses J. Peter Burkholder's discovery that Ives's commitment to transcendentalism was not so deep nor did it extend quite so far back as had previously been assumed.

Keywords:   musicology, Charles E. Ives, musicologists, European music, style history, William W. Austin, H. Wiley Hitchcock, Robert Morgan, J. Peter Burkholder, transcendentalism

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