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Triple EntendreFurniture Music, Muzak, Muzak-Plus$
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Hervé Vanel

Print publication date: 2013

Print ISBN-13: 9780252037993

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252037993.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 27 July 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Triple Entendre
Author(s):

Hervé Vanel

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252037993.003.0001

This introductory chapter discusses composer John Cage's views about Muzak and his interest in the work of French composer Erik Satie. Muzak is a company that provides functional music as a tool of management in environmental situations. The term has nonetheless a double entendre: muzak (lower case) refers to the genre of background music in general, while Muzak (with a capital) refers specifically to the trademarked product. For Cage, Muzak's discourse clarified the stakes of a competition in which both the arts and the products of industry were engaged. His comparative evaluation of furniture music and muzak may have stressed the possibility of separating one from the other, but by the same token it also indicated that they share a parallel if irreconcilable ambition.

Keywords:   John Cage, composers, Erik Satie, Muzak, background music, furniture music

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