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The Europeanization of CinemaInterzones and Imaginative Communities$
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Randall Halle

Print publication date: 2014

Print ISBN-13: 9780252038457

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038457.001.0001

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Interzone Dis/continuous

Interzone Dis/continuous

The Borders of Europe

Chapter:
(p.108) Chapter 4 Interzone Dis/continuous
Source:
The Europeanization of Cinema
Author(s):

Randall Halle

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038457.003.0005

This chapter analyzes how the German–Polish border became a new object of filmic representation and investigation. Subsequently, this space has become a regular region of cinematic exploration, and the contacts that began during this period have led to an expansion of Polish–German coproductions in general. The chapter argues that borders are first ideational before they are spatial geographical, demonstrating how the mobility of the apparatus is not simply a matter of technological indulgence. Rather, the liberated lens is an expansion of cinema's semiotic field. The cinematic apparatus provides a system whereby the imagination of spatial and geopolitical relationships comes together. As an aspect of the cinematic apparatus, the chapter considers how visual aesthetic strategies, technological innovations, and social policy result in images with particular angles and perspectives.

Keywords:   German–Polish borders, cinematic exploration, cinematic apparatus, semiotics, geopolitical relationships, visual aesthetic

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