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The Europeanization of CinemaInterzones and Imaginative Communities$
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Randall Halle

Print publication date: 2014

Print ISBN-13: 9780252038457

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038457.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 27 February 2021

“Outside” Europe

“Outside” Europe

Chapter:
(p.129) Chapter 5 “Outside” Europe
Source:
The Europeanization of Cinema
Author(s):

Randall Halle

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038457.003.0006

This chapter discusses how the apparatus of European film extends beyond the ideational boundaries of Europe, and analyzes the distinction between an “inside” and “outside” production. Within the European Union, a number of programs have emerged to develop synergy with non-European filmmakers and film industries. For instance, the MEDIA program alone sponsors Outside MEDIA, MEDIA MUNDUS, and coordinates with the European–Mediterranean (EUROMED) partnership. The programs presented here aim to foster the distribution and exhibition of European films abroad, especially in the Mediterranean regions. The coproduction funds foster an ease of distribution in European film markets, giving rise to a complex network that reaches across the globe.

Keywords:   European films, film apparatus, European Union, film industries, MEDIA, Outside MEDIA, MEDIA MUNDUS, EUROMED

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