The Great War and Dulac’s First Films
The Great War and Dulac’s First Films
This chapter focuses on Dulac's wartime activism and literary writings, as well as the debut of her film career—from her first activities as a film producer for Pathé (La Lumière du coeur, 1916) to her first directorial efforts (Soeurs ennemies to Le Bonheur des autres, 1917–18)—and evaluates the historical significance of her incursion into and negotiated course within the French film industry as a female artist and entrepreneur. A close examination of archival sources documenting Dulac's early professional activities provides insight into her humanist egalitarianism, universalism, and her strong belief in the emancipatory potential of art, as well as her early rhetorical strategies.
Keywords: Germaine Dulac, wartime activism, Pathé, La Lumière du coeur, Soeurs ennemies, Le Bonheur des autres, French film industry, female artists, humanist egalitarianism, universalism
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