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From ScratchWritings in Music Theory$
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James Tenney, Larry Polansky, and Lauren Pratt

Print publication date: 2015

Print ISBN-13: 9780252038723

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252038723.001.0001

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META Meta ⌿ Hodos

META Meta ⌿ Hodos

(1975)

Chapter:
(p.166) Chapter 7 META Meta ⌿ Hodos
Source:
From Scratch
Author(s):

James Tenney

, Larry Polansky, Lauren Pratt, Robert Wannamaker, Michael Winter
Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252038723.003.0007

James Tenney introduces a number of propositions, along with corresponding definitions and comments, concerning perceptual organization, musical parameters, formal perception and description, and entropy as a measure of variation. Among these propositions are: temporal gestalt-units (TGs) are formed at several different hierarchical levels during the process of musical perception; the perceptual formation of TGs at any hierarchical level is determined by a number of factors of cohesion and segregation, the most important of which are proximity and similarity; pitch, timbre, and (musical) time are not simply one-dimensional parameters, because each includes at least two relatively independent “subparameters”; the perception of form at any hierarchical level involves the apprehension of three distinct aspects of form at that and all lower levels—state, shape, and structure; the statistical entropy of an ergodic TG is zero.

Keywords:   musical parameters, formal perception, entropy, variation, temporal gestalt-units, musical perception, cohesion, timbre, segregation, James Tenney

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