Making Photography Matter: A Viewer's History from the Civil War to the Great Depression
Cara A. Finnegan
Abstract
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. This book analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Abraham Lincoln to images of child laborers and Depression-era hardship, the book treats the photograph as a ... More
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. This book analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Abraham Lincoln to images of child laborers and Depression-era hardship, the book treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As the book shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life not only through persuasion but also action.
Keywords:
photography,
war,
national identity,
child labor,
citizenship,
viewer engagement,
cultural life,
viewers,
photographs,
public life
Bibliographic Information
Print publication date: 2015 |
Print ISBN-13: 9780252039263 |
Published to Illinois Scholarship Online: April 2017 |
DOI:10.5406/illinois/9780252039263.001.0001 |