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Doing Women's Film HistoryReframing Cinemas, Past and Future$
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Julia Knight and Christine Gledhill

Print publication date: 2015

Print ISBN-13: 9780252039683

Published to Illinois Scholarship Online: April 2017

DOI: 10.5406/illinois/9780252039683.001.0001

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Traveling Memories

Traveling Memories

Women’s Reminiscences of Displaced Childhood in Chilean Postdictatorship Documentary

Chapter:
(p.139) Chapter 9 Traveling Memories
Source:
Doing Women's Film History
Author(s):

Elizabeth Ramírez Soto

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252039683.003.0011

This chapter examines recent homecoming films as documents informed by experiences of exile in the context of postdictatorial Chile. It analyzes three first-person documentaries by second-generation women directors who were born or grew up in exile: En algún lugar del cielo (Somewhere in Heaven) (Alejandra Carmona, 2003); El edificio de los chilenos (The Chilean Building) (Macarena Aguiló, co-directed by Susana Foxley, 2010); and El eco de las canciones (The Echo of Songs) (Antonia Rossi, 2010). Using the notion of “traveling memories,” the chapter considers these women directors' cinematic construction of childhood memories, which are deeply entangled with the experience of growing up in an environment marked by political displacement. It shows that these directors' memories of displaced childhood are of a deeply affective nature and are often conveyed through the deployment of abundant archival materials (family pictures, home movies, letters, and drawings), the significant use of the traveling shot, as well as the elaboration of sophisticated reenactment sequences.

Keywords:   homecoming films, exile, Chile, documentaries, women directors, El eco de las canciones, traveling memories, childhood memories, political displacement, displaced childhood

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