Everyday Practice and the Imaginary
Everyday Practice and the Imaginary
Using lyrics, artifacts, memoir, playbills, etc. from within the Chinese community, the Introduction chapter offers a much-needed perspective on Chinatown opera theaters in North America during its golden era of the 1920s. Attention is drawn to issues such as social memory, everyday life, and bodily performance to reveal how these opera performances at these theaters were as satisfying as it was meaningful. By Various types of documents, recordings, sources and immigration files constitute the “archive” of Chinatown opera theaters for this book, one that allow us to reimagine the theaters, the dynamic ways that opera were presented and the transnational route across Pacific that the performers traveled.
Keywords: opera, lyrics, performance, archive, transpacific, Wayson Choy, everyday, historiography, transnational, Chinatown, performing network, social memory
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.