From Lun On and Lun Hop to the Great China Theater, 1922–1925
From Lun On and Lun Hop to the Great China Theater, 1922–1925
In 1922, the Lun On troupe arrived in Seattle from Canada. It was quickly joined by other Cantonese opera groups moving across national borders, creating a network spanning the hemisphere from Vancouver to Los Angeles, New York, Havana, Mexico City, Mexicali, and even Lima, Peru. Through detailed primary source analysis Rao describes the financial and artistic accomplishments of these troupes even as they faced stigmatism and resistance from anti-Chinese organizations and exclusionary immigration policies. The interaction between the opera troupe/performers and local community was lively, reflected by the ritual practice, the publication of anthology for amateur, the opening of new theater, fund-raising performances, etc. In addition the chapter chronicles a series of distinctive actors, actresses and playwrights, as well as their signature repertoire that became most popular during this time.
Keywords: Vancouver, Bai Jurong, Huang Xiaofeng, Guan Yinglian, ritual, anthology of aria, Lun On, Lun Hop, Great China Theater
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
