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Chinatown Opera Theater in North America$
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Nancy Yunhwa Rao

Print publication date: 2017

Print ISBN-13: 9780252040566

Published to Illinois Scholarship Online: September 2017

DOI: 10.5406/illinois/9780252040566.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 06 June 2020

A Theater of Actresses

A Theater of Actresses

The Mandarin Theater, 1927–1928

Chapter:
(p.243) Chapter 10 A Theater of Actresses
Source:
Chinatown Opera Theater in North America
Author(s):

Nancy Yunhwa Rao

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252040566.003.0011

By its fourth year in operation, the Mandarin boasted a Los Angeles branch, troupes in Mexicali and elsewhere, and a close relationship with the Jock Ming On Theater in New York City. This chapter focuses on the period of the Mandarin’s continued success as it expanded its reach into the community, attracted superstar performers such as the actress Li Xuefang, and staged ever more grand productions. The chapter closes with the return of Cantonese opera troupe to Vancouver to a theater named Mandarin Theater co.

Keywords:   Mandarin Theater, fundraising performance, Li Xuefang, Fay-Yen-Fah, Tan Lanqing, production, Mudan Su, Su Wu, Chinese New Year, pamphlet, Guan Yinglian, backdrop, stage design, Vancouver

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