Jump to ContentJump to Main Navigation
Chinatown Opera Theater in North America$
Users without a subscription are not able to see the full content.

Nancy Yunhwa Rao

Print publication date: 2017

Print ISBN-13: 9780252040566

Published to Illinois Scholarship Online: September 2017

DOI: 10.5406/illinois/9780252040566.001.0001

Show Summary Details
Page of

PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 05 June 2020

Epilogue

Epilogue

Chapter:
(p.311) Epilogue
Source:
Chinatown Opera Theater in North America
Author(s):

Nancy Yunhwa Rao

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252040566.003.0014

Drawing from the author’s family history, the epilogue discusses how opera culture could permeate different social classes, accompany dislocation of personal root, and be felt in communities near and far. It also traces the impact of Chinatown theaters on the roaring twenties of the United Staete, the use of instruments in jazz, and to the rise of certain branch of American experimental music in the 20th century, as well as the manifestiation in Chinese American cinema and literature.

Keywords:   Taiwanese opera, Chaozhou opera, Guan Yinglian, Mandarin Theater, Guan Yinglian, San Francisco, patron, cinema, Henry Cowell, Maxine Hong Kingston, modern music, Frank Chin

Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.