Epilogue
Epilogue
Drawing from the author’s family history, the epilogue discusses how opera culture could permeate different social classes, accompany dislocation of personal root, and be felt in communities near and far. It also traces the impact of Chinatown theaters on the roaring twenties of the United Staete, the use of instruments in jazz, and to the rise of certain branch of American experimental music in the 20th century, as well as the manifestiation in Chinese American cinema and literature.
Keywords: Taiwanese opera, Chaozhou opera, Guan Yinglian, Mandarin Theater, Guan Yinglian, San Francisco, patron, cinema, Henry Cowell, Maxine Hong Kingston, modern music, Frank Chin
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