Show Summary Details
- Title Pages
- Dedication
- Acknowledgments
- A Note on Chinese Names and Terms
-
Introduction Everyday Practice and the Imaginary -
Chapter 1 Shaping Forces, Networks, and Local Influences -
Chapter 2 The Chinese Exclusion Act and Chinatown Theaters -
Chapter 3 Immigration -
Chapter 4 Aesthetics, Repertoire, Roles, and Playbills -
Chapter 5 An Examination of the Aria Song “Shilin Jita” -
Chapter 6 Powder and Rouge -
Chapter 7 From Lun On and Lun Hop to the Great China Theater, 1922–1925 -
Chapter 8 The Affluent Years -
Chapter 9 A Sucessful, Majestic Stage -
Chapter 10 A Theater of Actresses -
Chapter 11 Two Theaters and a Merger in New York -
Chapter 12 From Honolulu to Havana - Epilogue
-
Appendix List of Chinese Names and Terms - Bibliography
- Index
- Index
- Music in American Life
- Acknowledgements
(p.397) Index
(p.397) Index
- Source:
- Chinatown Opera Theater in North America
- Publisher:
- University of Illinois Press
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- Title Pages
- Dedication
- Acknowledgments
- A Note on Chinese Names and Terms
-
Introduction Everyday Practice and the Imaginary -
Chapter 1 Shaping Forces, Networks, and Local Influences -
Chapter 2 The Chinese Exclusion Act and Chinatown Theaters -
Chapter 3 Immigration -
Chapter 4 Aesthetics, Repertoire, Roles, and Playbills -
Chapter 5 An Examination of the Aria Song “Shilin Jita” -
Chapter 6 Powder and Rouge -
Chapter 7 From Lun On and Lun Hop to the Great China Theater, 1922–1925 -
Chapter 8 The Affluent Years -
Chapter 9 A Sucessful, Majestic Stage -
Chapter 10 A Theater of Actresses -
Chapter 11 Two Theaters and a Merger in New York -
Chapter 12 From Honolulu to Havana - Epilogue
-
Appendix List of Chinese Names and Terms - Bibliography
- Index
- Index
- Music in American Life
- Acknowledgements
