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Black Post-BlacknessThe Black Arts Movement and Twenty-First-Century Aesthetics$
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Margo Natalie Crawford

Print publication date: 2017

Print ISBN-13: 9780252041006

Published to Illinois Scholarship Online: January 2018

DOI: 10.5406/illinois/9780252041006.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 31 May 2020

The Local and the Global

The Local and the Global

BLKARTSOUTH and Callaloo

Chapter:
(p.107) 4 The Local and the Global
Source:
Black Post-Blackness
Author(s):

Margo Natalie Crawford

Publisher:
University of Illinois Press
DOI:10.5406/illinois/9780252041006.003.0005

The fourth chapter analyzes BLKARTSOUTH (the leading collective of the Black Arts Movement in the South). Crawford focuses on Nkombo journal produced by BLKARTSOUTH. She argues that the practice of the local and the global in NKOMBO prepared the way for the practice of diaspora and the local in Callaloo, the most prominent journal in current African diasporic literary and cultural studies. This chapter shows how editorial practices during both the Black Arts Movement and the 21st century pivot on making the local and the global inseparable in a manner that parallels the inseparability of blackness and post-blackness.

Keywords:   BLKARTSOUTH, Nkombo, Callaloo, editorial practices, diaspora

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