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Beyond BachMusic and Everyday Life in the Eighteenth Century$
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Andrew Talle

Print publication date: 2017

Print ISBN-13: 9780252040849

Published to Illinois Scholarship Online: September 2018

DOI: 10.5622/illinois/9780252040849.001.0001

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Conclusion

Conclusion

Chapter:
(p.257) Conclusion
Source:
Beyond Bach
Author(s):

Andrew Talle

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252040849.003.0013

The conclusion of Beyond Bach affirms the principle that music is not an object but rather a means by which human beings relate to one another. In Bach’s Germany, those who heard keyboard performances listened not only to the notes and rhythms themselves but also for what they revealed about the character of those who played them. While keyboards were regarded by Bach’s contemporaries as having a civilizing effect, the innocence with which they were associated often veiled more controversial activities. Bach himself was universally admired for his extraordinary skills but many listeners found his music frustrating for its challenges. For a relatively small group of connoisseurs, however, his work embodied the noble ideal that music could do more than entertain.

Keywords:   Bach, Men, Women, Keyboard, Civilizing Influence, Innocence, Controversy, Social Boundaries

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