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Recasting Folk in the HimalayasIndian Music, Media, and Social Mobility$
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Stefan Fiol

Print publication date: 2017

Print ISBN-13: 9780252041204

Published to Illinois Scholarship Online: May 2018

DOI: 10.5622/illinois/9780252041204.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 05 August 2021

Conclusion

Conclusion

Chapter:
(p.185) Conclusion
Source:
Recasting Folk in the Himalayas
Author(s):

Stefan Fiol

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252041204.003.0008

This book has offered a series of historical and ethnographic perspectives about the concept of folk music in the Indian Himalayas. After exploring a range of performers and performances, it should be evident why I have not offered a single definition of folk music. Folk music is best understood as a multidimensional concept that has been instrumentalized by a range of individuals and communities for various political and economic ends. I have examined a century’s worth of engagements with the folk concept as the outcome of two intertwined processes, one revivalist (turning dying folk into living folk) and the other rhizophonic (separating the folk sound from the folk body). Although each of these processes has been discussed to some extent in scholarship concerning invented traditions, music revivals, and modernist reformism, they have not previously been theorized as processes inherent to folklorization....

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