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Neo-PassingPerforming Identity after Jim Crow$
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Mollie Godfrey and Vershawn Ashanti Young

Print publication date: 2018

Print ISBN-13: 9780252041587

Published to Illinois Scholarship Online: September 2018

DOI: 10.5622/illinois/9780252041587.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 22 September 2021

Afterword

Afterword

Why Neo Now?

Chapter:
(p.241) Afterword
Source:
Neo-Passing
Author(s):

Michele Elam

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252041587.003.0015

The afterword argues that so-called neo-passing narratives distinctively highlight the performative dimension to racial formation and are, moreover, particularly attentive to the social and political consequences of race. This essay argues that the desire for passing to be a phenomenon of the past can be problematic in that it wills away the social insights afforded by cultural and literary narratives of passing in the post–Civil Rights era.

Keywords:   racial passing, neo-passing narratives, social justice, racial formation, racial performance, mixed race, Danzy Senna, Colson Whitehead

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