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Ritual SoundingsWomen Performers and World Religions$
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Sarah Weiss

Print publication date: 2019

Print ISBN-13: 9780252042294

Published to Illinois Scholarship Online: September 2019

DOI: 10.5622/illinois/9780252042294.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 22 September 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Ritual Soundings
Author(s):

Sarah Weiss

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252042294.003.0001

The introduction outlines some of the main ideas in the book and locates the study in the context of ethnomusicological studies of religion and religious studies of music. Following Kimberly Patton, it asserts that by means of comparison, scholars empower dialogue rather than pass moral judgment or claim mastery. Comparison is a hermeneutic that reveals alternative narratives and generates new ways of understanding data. The origin of the project lies in the author’s efforts to understand the layers of religious experience and expression embedded within Central Javanese culture.

Keywords:   ethnomusicology, religious studies, music, Kimberly Patton, comparison, alternative narratives, mutual dialogue, localization

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