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Ritual SoundingsWomen Performers and World Religions$
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Sarah Weiss

Print publication date: 2019

Print ISBN-13: 9780252042294

Published to Illinois Scholarship Online: September 2019

DOI: 10.5622/illinois/9780252042294.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 03 August 2021

Afterword

Afterword

Chapter:
(p.128) Afterword
Source:
Ritual Soundings
Author(s):

Sarah Weiss

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252042294.003.0009

The afterword provides an overview of the main themes in the book. The author argues that meta-ethnography is only the beginning of the return of comparative studies in ethnomusicology. She suggests that in the future, a combination of meta-ethnography with ethnographic accounts of fieldwork and musical analysis will set the stage for an integrated approach called comparative ethnomusicology. Finally, the author argues that in a time of global conflict and religious extremism, scholars have a responsibility to demonstrate possibilities for religious harmony and peaceful coexistence whenever possible

Keywords:   religious extremism, global conflict, religious harmony, peaceful coexistence, meta-ethnography, fieldwork, musical analysis, comparative ethnomusicology, scholarly responsibility

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