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To Turn the Whole World OverBlack Women and Internationalism$
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Keisha N. Blain and Tiffany M. Gill

Print publication date: 2019

Print ISBN-13: 9780252042317

Published to Illinois Scholarship Online: September 2019

DOI: 10.5622/illinois/9780252042317.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 25 June 2022

Stitched Networks

Stitched Networks

Liberian Quilters, Transatlantic Diplomacy, and Community

Chapter:
(p.149) Chapter 7 Stitched Networks
Source:
To Turn the Whole World Over
Author(s):

Stephanie Beck Cohen

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252042317.003.0008

This essay investigates how the art of Liberian quilters functioned in diplomatic and social contexts; that is, how women visual artists actively shaped cultural diplomacy in nineteenth and twentieth century transatlantic history. Such an examination inserts an absent historical voice--a female West African international traveler--into the corpus of black women traveling internationally in the nineteenth and twentieth centuries. The essay traces the development of quilting, the gentile??? Victorian art, as the Liberian diplomatic gift and asks how and why quilting retains this role after the civil war at the end of the twentieth century. By focusing on an artistic tradition absent from scholarship on Liberian material culture, this essay offers female perspectives on the establishment of a new nation.

Keywords:   Africa, Liberia, Art, Quilting, Diplomacy, material culture

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