- Title Pages
- Dedication
- Foreword
- Acknowledgments
- Sustainability, Resilience, Advocacy, and Activism
- References
-
Chapter 1 Sustainability Clashes and Concordances -
Chapter 2 Dialogues All the Way Down -
Chapter 3 Radical Critical Empathy and Cultural Sustainability -
Chapter 4 Sounding Sustainable; or, The Challenge of Sustainability -
Chapter 5 Garbage Truck Music and Sustainability in Contemporary Taiwan -
Chapter 6 Climate Change, Mobile Pastoralism, and Cultural Heritage in Western Mongolia -
Chapter 7 Singing for la Mêche Perdue -
Chapter 8 Alaska Native Ways of Knowing and the Sustenance of Musical Communities in an Ailing Petrostate -
Chapter 9 The New River Updated -
Chapter 10 Fandom’s Remix -
Chapter 11 Music, Media, and Mediation -
Chapter 12 Photography, Memory, and the Frail Instant -
Chapter 13 ’Tis the Company -
Chapter 14 Sustaining Indigenous Sounds -
Chapter 15 Digital Technology, Chanting Torah, and the Sustainability of Tradition -
Chapter 16 Cultural Integrity and Local Music in Cape Breton and New Orleans -
Chapter 17 BaAka Singing in a State of Emergency -
Chapter 18 Lament and Affective Cardiac Responses -
Chapter 19 Resilience and Adaptive Management in Piano Pedagogy for Individuals with Autism Spectrum Conditions -
Chapter 20 The Fiesta de la Bulería of Jerez de la Frontera -
Chapter 21 Fiddle-icious -
Chapter 22 Discovering Maine’s Intangible Cultural Heritage -
Chapter 23 Song, Surfing, and Postcolonial Sustainability - Contributors
- Index
- The University of Illinois Press
The New River Updated
The New River Updated
Charles Ives and the Disappearing River Gods
- Chapter:
- (p.113) Chapter 9 The New River Updated
- Source:
- Cultural Sustainabilities
- Author(s):
- Timothy J. Cooley
- Publisher:
- University of Illinois Press
In 1911 Charles Ives wrote “The New River,” a song unique among his works for its outspoken environmentalist stance. Composed in direct response to the diversion of waters from Ives's beloved Housatonic River to feed New York City reservoirs and plans for constructing a dam, the song also captured widespread national outrage over the Hetch Hetchy Dam being built at the same time through Yosemite National Park. Combining transcendentalist understandings of nature with more contemporary arguments to save Hetch Hetchy published by Robert Underwood Johnson and John Muir, Ives's song sounds his belief “the fabric of life weaves itself whole.”
Keywords: Charles Ives, environmentalist, Hetch Hetchy, Housatonic River, John Muir, Robert Underwood Johnson, transcendentalist, Yosemite National Park
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Dedication
- Foreword
- Acknowledgments
- Sustainability, Resilience, Advocacy, and Activism
- References
-
Chapter 1 Sustainability Clashes and Concordances -
Chapter 2 Dialogues All the Way Down -
Chapter 3 Radical Critical Empathy and Cultural Sustainability -
Chapter 4 Sounding Sustainable; or, The Challenge of Sustainability -
Chapter 5 Garbage Truck Music and Sustainability in Contemporary Taiwan -
Chapter 6 Climate Change, Mobile Pastoralism, and Cultural Heritage in Western Mongolia -
Chapter 7 Singing for la Mêche Perdue -
Chapter 8 Alaska Native Ways of Knowing and the Sustenance of Musical Communities in an Ailing Petrostate -
Chapter 9 The New River Updated -
Chapter 10 Fandom’s Remix -
Chapter 11 Music, Media, and Mediation -
Chapter 12 Photography, Memory, and the Frail Instant -
Chapter 13 ’Tis the Company -
Chapter 14 Sustaining Indigenous Sounds -
Chapter 15 Digital Technology, Chanting Torah, and the Sustainability of Tradition -
Chapter 16 Cultural Integrity and Local Music in Cape Breton and New Orleans -
Chapter 17 BaAka Singing in a State of Emergency -
Chapter 18 Lament and Affective Cardiac Responses -
Chapter 19 Resilience and Adaptive Management in Piano Pedagogy for Individuals with Autism Spectrum Conditions -
Chapter 20 The Fiesta de la Bulería of Jerez de la Frontera -
Chapter 21 Fiddle-icious -
Chapter 22 Discovering Maine’s Intangible Cultural Heritage -
Chapter 23 Song, Surfing, and Postcolonial Sustainability - Contributors
- Index
- The University of Illinois Press