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Josephine Baker and Katherine DunhamDances in Literature and Cinema$
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Hannah Durkin

Print publication date: 2019

Print ISBN-13: 9780252042621

Published to Illinois Scholarship Online: May 2020

DOI: 10.5622/illinois/9780252042621.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 05 August 2021

Cinematic Stardom

Cinematic Stardom

Baker and the 1930s French Musical Film

(p.106) Chapter Four Cinematic Stardom
Josephine Baker and Katherine Dunham

Hannah Durkin

University of Illinois Press

This chapter examines Zouzou (1933) and Princesse Tam-Tam (1934) as cinematically ambivalent in their portrayal of Baker as both a “primitive” performer and a glamorous chanteuse. The productions play up pseudo-ethnographic fantasies of Black subjects while their narratives subjugate Baker’s characters. And yet their ambitious musical numbers associate her with Eurocentric notions of beauty in an attempt to establish her as a film star. In so doing, they provide Baker with a level of cinematic authorship, visibility, and glamour inaccessible to Black women in 1930s Hollywood. Consequently, Baker should be recognized as the chief author of her musical numbers as she uses these scenes to create a multifaceted and self-referential screen image, negating simplistic readings of a performative Black womanhood.

Keywords:   Josephine Baker, Zouzou, Princesse Tam-Tam, French cinema, African American film, Stardom, film musical, dance, Ziegfeld Girl, colonial narratives

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