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Over Here, Over ThereTransatlantic Conversations on the Music of World War I$
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William Brooks, Christina Bashford, and Gayle Magee

Print publication date: 2019

Print ISBN-13: 9780252042706

Published to Illinois Scholarship Online: May 2020

DOI: 10.5622/illinois/9780252042706.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 23 January 2022

Interlude: The Middle

Interlude: The Middle

Chapter:
(p.115) Interlude: The Middle
Source:
Over Here, Over There
Author(s):

William Brooks

Christina Bashford

Gayle Magee

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252042706.003.0007

The five composers discussed in part 1 lived and worked in musical communities, some of which were very small and others far-reaching. Charles Ives’s circle consisted of only his family and a very small number of friends, Frank Bridge had a modest reputation in London, Irving Berlin was a pervasive force in entertainment internationally, and Debussy and Sousa were iconic figures. But this is always the case: music is created for and within communities of practitioners and listeners. World War I, however, created new communities where none had existed, and it radically reshaped others that were of long standing....

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