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Black Cultural Production after Civil Rights$
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Robert J. Patterson

Print publication date: 2019

Print ISBN-13: 9780252042775

Published to Illinois Scholarship Online: May 2020

DOI: 10.5622/illinois/9780252042775.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 27 September 2021

From Blaxploitation to Black Macho

From Blaxploitation to Black Macho

The Angry Black Woman Comes of Age

Chapter:
(p.183) Chapter 8 From Blaxploitation to Black Macho
Source:
Black Cultural Production after Civil Rights
Author(s):

Terrion L. Williamson

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252042775.003.0009

For commentators concerned with black cultural production in the contemporary era, there are few images more controversial than the angry black woman, particularly as it is reproduced within the confines of reality television. This chapter traces the lineage of the angry black woman back to key black feminist texts of the 1970s, arguing that the trope emerges out of a distinct sociopolitical history that was codified within both public policy and popular culture throughout the decade. Blaxploitation films became the site where black women’s anger was most visibly commodified, even as black women involved in an emergent black feminist movement worked to combat withering social commentaries that included Daniel Patrick Moynihan’s matriarchy thesis and sexist takedowns of black women writers like Ntozake Shange and Michele Wallace.

Keywords:   angry, black woman, Blaxploitation, popular culture, public policy, feminism, black women

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