Autochthonomous Transfigurations of Race and Gender in Twenty-First-Century Transnational Genocide Testimonial Narratives
Autochthonomous Transfigurations of Race and Gender in Twenty-First-Century Transnational Genocide Testimonial Narratives
This chapter explores depictions and representations of the genocide of Rwanda in order to examine how “autochthonomy” and “lakou consciousness” make themselves manifest in global/transnational contexts. What each of the representations reveals is a partial exposure of a silence that appears to be symptomatic of trauma. The chapter relies on Pierre Bourdieu’s twin-concepts of the “unthinkable” and “unnameable” and how these concepts might be of further use in understanding the representation of the implicit “silence” of trauma. The chapter ultimately argues that artists who consciously emulate African Diasporic aesthetics in their representations of genocide also engage counter-hegemonic modes of representation that are explicitly and increasingly feminist regardless of the producer’s gender identity.
Keywords: Trauma, Rwandan genocide, Unthinkable, Unnameable, (in)imaginable, Raoul Peck, Silence, graphic novels, Pierre Bourdieu, gender
Illinois Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.