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When Sunday ComesGospel Music in the Soul and Hip-Hop Eras$
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Claudrena N. Harold

Print publication date: 2020

Print ISBN-13: 9780252043574

Published to Illinois Scholarship Online: September 2021

DOI: 10.5622/illinois/9780252043574.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 19 May 2022

We Are the Drum

We Are the Drum

Take 6, the Sounds of Blackness, and the New Black Aesthetic

Chapter:
(p.188) Chapter 11 We Are the Drum
Source:
When Sunday Comes
Author(s):

Claudrena N. Harold

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252043574.003.0012

This chapter explores the artistry of Take 6 and Sounds of Blackness. The first half of the chapter charts the formation of Take 6 and the commercial success of their first two records. It details how the group’s sound permeated every aspect of pop culture, from movies to music videos to hit sitcoms. The second half of the chapter turns attention to the Sounds of Blackness. It recounts how the Minneapolis-based ensemble put the music world on notice with their special blend of gospel, Minneapolis funk, and Afrocentric politics. Exploring Sounds of Blackness and Take 6 at their commercial peak provides us with a sense of how some gospel artists navigated the cultural shifts taking place during the era of the “New Black Aesthetic” and New Jack Swing.

Keywords:   Take 6, Sounds of Blackness, Minneapolis funk, the “New Black Aesthetic”, pop culture, Afrocentric politics, video

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