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Industrial Strength BluegrassSouthwestern Ohio's Musical Legacy$
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Fred Bartenstein and Curtis W. Ellison

Print publication date: 2021

Print ISBN-13: 9780252043642

Published to Illinois Scholarship Online: September 2021

DOI: 10.5622/illinois/9780252043642.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 30 June 2022

Taking the Music Home

Taking the Music Home

Bluegrass Recording Studios, Record Labels, and Record Stores

Chapter:
(p.43) 4. Taking the Music Home
Source:
Industrial Strength Bluegrass
Author(s):

Mac McDivitt

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252043642.003.0004

From the 1940s through the 1970s, Cincinnati, Dayton, and Hamilton were major national recording centers for bluegrass. In Cincinnati, E.T. “Bucky” Herzog recorded Lester Flatt and Earl Scruggs’s “Foggy Mountain Breakdown.” Syd Nathan’s King Records recorded Jimmy Martin and Bob Osborne, Reno and Smiley, the Stanley Brothers, Moore and Napier, and Ralph Stanley. Carl Burkhardt’s Gateway Studios recorded Jim and Jesse, Red Allen, and Sonny Osborne’s earliest sessions. Rusty York’s Jewel Studios and record label in Cincinnati produced numerous secular and sacred bluegrass recordings. In the 1970s Lou Ukelson’s Vetco label in Cincinnati, William M. Jones’s Melody and Pine Tree labels in Hamilton, and Jack Lynch’s Jalyn Records in Dayton released important recordings that have had lasting impact.

Keywords:   E.T. “Bucky” Herzog, Syd Nathan, King Records, Carl Burkhardt, Gateway, Jewel, Vetco, Melody, Pine Tree, Jalyn

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