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Being La DominicanaRace and Identity in the Visual Culture of Santo Domingo$
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Rachel Afi Quinn

Print publication date: 2021

Print ISBN-13: 9780252043819

Published to Illinois Scholarship Online: January 2022

DOI: 10.5622/illinois/9780252043819.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 28 June 2022

Introduction

Introduction

Transnational Feminist Cultural Studies, Visual Culture, and the Ethnographic Project

Chapter:
(p.1) Introduction
Source:
Being La Dominicana
Author(s):

Rachel Afi Quinn

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252043819.003.0001

In this introductory chapter the author employs as metaphor the uniquely Dominican muñeca sin rostro, a highly feminized yet racially ambiguous “doll without a face” that is commonly sold as a souvenir. This chapter frames the overarching argument of the text in which racial meaning for mixed-race women in the Dominican Republic requires a “narrative eye” and functions relationally. Locating herself in relation to the women she writes about, the author explores the ways that Dominican women in Santo Domingo produce identities within and against dominant stereotypes of the Caribbean picturesque on which neoliberalism relies. The author employs methodologies of transnational feminist theory that require collaboration with those she writes about and points to sustained and expanded diasporic networks online.

Keywords:   Neoliberalism, feminist theory, narrative eye, mixed race, ethnography, Caribbean, Picturesque, representation

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