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Homer Rodeheaver and the Rise of the Gospel Music Industry$
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Kevin Mungons and Douglas Yeo

Print publication date: 2021

Print ISBN-13: 9780252043840

Published to Illinois Scholarship Online: January 2022

DOI: 10.5622/illinois/9780252043840.001.0001

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PRINTED FROM ILLINOIS SCHOLARSHIP ONLINE (www.illinois.universitypressscholarship.com). (c) Copyright Illinois University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ISO for personal use.date: 28 May 2022

Southern Roots and Early Years

Southern Roots and Early Years

“Something in Our Home That Made Us Very Rich”

Chapter:
(p.38) 2 Southern Roots and Early Years
Source:
Homer Rodeheaver and the Rise of the Gospel Music Industry
Author(s):

Kevin Mungons

Douglas Yeo

Publisher:
University of Illinois Press
DOI:10.5622/illinois/9780252043840.003.0003

Homer Rodeheaver’s life-long work in song-leading and revivalism started with his family’s roots in West Virginia, Ohio, and Tennessee after the Civil War. His attitudes about gospel music and race were deeply influenced by formative events from his childhood, including family attendance in Methodist churches, racism and lynching near his home, early experiences playing the trombone, and a close relationship with his brothers. While studying at Ohio Wesleyan University he led football cheers and blackface minstrel shows, then led congregational singing at local revival meetings. In 1905 he began traveling as music director for the W. E. Biederwolf revivals, a position that led to national notice

Keywords:   Ohio, Tennessee, Civil War, Trombone, Racism, Lynching, Blackface, Revivalism, gospel music, Methodist

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